Hunting in America by Tehila Hakimi, translated by Joanna Chen
Published July 2025 via Penguin Books
★★★★
A woman moves to an unnamed place in the US, and she is invited to go hunting—a first for her, but not her first time with a gun. And the invitation to hunt is a welcoming gesture, but it comes with a layer of subtext. It's a test and it's a beginning and perhaps it's an end, all rolled into one.
The invitation to hunt isn't the only thing in Hunting in America that is rife with subtext. Layers upon layers of it: the narrator holds her thoughts close to her chest and her history closer, but there's potential for double meanings in huge swathes of what she chooses to tell the reader and how.
In voice I'm reminded in places of My Year of Rest and Relaxation, though I found this rather easier to read. It's the sense of a protagonist on the verge of self-destruction, I think; the protagonist here is detached even as she makes decisions based more on emotion and instinct than on calculation.
I read this quickly—meant to read it in a couple of days but shot through in one. Going in, I was a little uncertain about the focus on hunting (I'm a near lifelong vegetarian who has never touched a gun, and I'd like to keep both of those things as they are), but for all that so much of the book is about hunting, hunting is almost beside the point; so much of the story is behind the hunting blind, behind the sentences on the page. Not uplifting, but lots to parse, to think about after the fact.
Thanks to the author and publisher for inviting me to read a review copy through NetGalley.
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